SDCXTRA RADIO

Wednesday, January 9, 2013

Sony Music acquires EMI Publishing rights of Kenneth Howard Smith


HOLLYWOOD CA (IFS) -- Sony Music has acquired all of the publishing rights from EMI Music of Kenneth Howard Smith and Russell G. Ingersoll's songwriters catalog.  Smith and Ingersoll collaborated on many songs as writers and artists at Motown Records in the 1970's and 1980's.  Smith's production of Cardella DeMilo's "Gimme Whatcha Promised Me" from Paul and Linda McCartney's MPL Communications on their small company, with Lee Rogers new release for the D-Town label after twelve years; Lee's Motown record.

Smith is presently hosting a radio talk show on KDTN Radio One in Memphis TN.  Smith's new CD/EP is entitled "Wild Plums" with just five (5) songs.  Not to inspired about songwriting these days, this is a special request recording for one of his fans.  Smith has been more interested in radio and television broadcasting.  He started out in that medium when he was a student at Antelope Valley College in Lancaster, California working with Don Imus at KUTY-AM in Palmdale, California.  He has always had a love for computers, microphones and the airwaves.  Smith current publishing rights belong to Keristene Music (BMI).

"Wild Plums" by Smith, new CD/EP
release November 2012
One song has been released from the "Wild Plums" CD/EP called, "I Can't Breathe (Without You)".  A little toxic love song that Smith wrote about love and missing a love that you did not know you counted on so much.  Not quite a reflection song, as Smith's catalog of love songs as in the past with the lyrics of Linda Lou Kestin his one time writing partner for over thirty (30) years.  As Smith puts it, he had recordings way before Kestin and he shall have recordings after Kestin too.

Smith who uses songwriting to keep his soul and mind at ease, just so happens to get a couple of well played recordings out of the situation from time to time.  Not real magic, just soul exercise. From time to time, Smith starts a new chapter of his book "Vinyl Knights: Kenneth Howard Smith" a series on ups and downs in the music business.  Below is a peep into the book, chapter 11:



Kenneth Howard Smith, Genius or Derelict?
©1986-2012 SDC OmniMedia Group
Published by SDC/Vollintine Books  






Not to much is known about Kenneth Howard Smith, born in 1948 in Bakersfield, California, to parents Berry Jerry and Rillie Louise Smith who owned and operated the Bakersfield Monaco Inn and grocery store.

Kenneth was the third born of the family, but the first child to live as his older brother and two sisters died from early childhood infantile births.  It took approximately seven years after the death of his younger sister for little Smith to come into this world.

In between those seven years, the Smiths marriage broke up and Berry had a daughter with Marguerite Brown, who gave birth to Emma Jean Smith-Brown. 

Re-marrying Mr. Smith again, five other siblings were born to the Smith family after Kenneth that included Theodore, Brenda, Wanda, Clyde and Sandra.  Emma Jean with the nick name of “Baby May” was adored and loved by her younger brothers and sisters and visited with her all of the time, even spending the summers at her Los Angeles home.

As the years progressed forward, young Kenneth remembers the times when their father worked part-time at an up and coming television station with the call letters KERO-TV Channel 10 that was located in a barn at the home of West coast Country and Western pioneer Cousin Herb Henson.

Herb Henson, known as Cousin Herb, was a country music performer and television host on KERO-TV, channel 10 (now 23) in Bakersfield, California. He is the first cousin once removed of musician Jeff Tweedy.

Cousin Herb Henson was a pivotal figure in the development of country music's Bakersfield sound—his weekday television variety program, The Trading Post, was a showcase for acts including Buck Owens, Spade Cooley, and Merle Haggard, the latter dubbing Henson "the Ralph Emery of Bakersfield." Born in East St. Louis, IL, on May 17, 1925, Henson was a self-taught pianist and sometimes comedian who arrived in California via Union Pacific railcar sometime in the mid-'40s. After picking cotton in the fields of the San Joaquin Valley, he landed a job making door-to-door laundry pickups for a company operating out of the Fresno area.

Mr. Smith was one of the stage hands and janitor, and would help setup the bands for the broadcast and clean up the place after the broadcast.  During these times, young Kenneth was introduced to the would be new kings of the west coast country music scene, like Lee Talley, Spade Cooley, Buck Owens, Bonnie Owens, Merle Haggard, Porter Wagoner, Tommy Sands, Glen MacArthur and a very young Dolly Parton.

Berry’s other job was a heavy duty equipment operator at the Edwards Air Force Base Rocket Engineering site.  He did not have a high school degree; Mr. Smith was given the pay grade, but not the job as he managed a mop and broom to support his family.  Mr. Smith however, did receive many merit achievement awards and bonuses  for his design and development of many of the “slings” and moving apparatus platforms for delivering rocket parts across the country.

As the drive from Bakersfield to Edwards on a daily bases was long, as there were not freeways at the time, he and Mrs. Smith decided in would be better to move closer to his job site.  So the family in 1956 up and moved to the little town of Lancaster, California, and then across the Kern County line to Rosamond.

As the family settled in to the Rosamond area, Mr. Smith would occasionally take a couple of the children to his job on the weekend to see where he worked and meet some of the people he worked with.


After the decision to build the facility had been made, contractors experienced with rocket engine development were solicited for the proposed test station design plan. These contractors included Curtiss-Wright Corporation; North American Aviation; N. W. Kellogg Company; Reaction Motors; and Aerojet Engineering Corporation (AEC), a subsidiary of Aerojet General Corporation, which had been formed earlier by GALCIT scientists. Because the type of large-scale static test stand required for the test facility had no precedent, the use of an engineering subsidiary of a rocket manufacturer promised the best possible results for construction of the test facilities (TetraTech 1997).

 In 1947, the Air Materiel Command, through its Rocket Branch, and the U.S. Army Corps of Engineers (Corps) contracted with AEC for the design of the rocket engine test stands and auxiliary facilities at Muroc Army Airfield (Renamed Edwards AFB in 1949) (U.S. Army Air Force 1948; U.S. Air Force 1964a). AEC was the logical choice to advise the Corps. Since Aerojet's inception as a spinoff of GALCIT, it had concentrated on rocket research and development, whereas competing contractors at the time were multidisciplinary organizations and aircraft manufacturers.


 In 1952, ERETS was activated. Its primary mission was "to accomplish research, development, and static testing of experimental and production rocket power plants, and to provide authorized contractors and other Governmental agencies with facilities and engineering assistance in research, development, and testing of experimental rocket power plants". Rocket Branch personnel performed liquid rocket propellant servicing operations for aircraft and provided engineering and consulting services to AFFTC activities using rocket engines and their components.

It's true. Back in 1948, military personnel were working on a rocket sled experiment at the Muroc Army Air Field (now Edwards Air Force Base) in California. They strapped a chimpanzee into the sled and sent the vehicle down a railroad track at an extremely high speed to measure the g-forces and deceleration effects that occurred during the trip.

After the test, researchers were dismayed to find that the sensors used in the harness's restraining clamps had returned no measurements. Edward Murphy discovered that his assistant had installed the sensors incorrectly, with each one wired backwards.

"If that guy has any way of making a mistake, he will," Murphy complained. His colleagues quickly dubbed the saying "Murphy's Law."  The complaint soon morphed into the law we know today: "If anything can go wrong, it will."

Murphy's Law was popularized during a press conference by John Paul Stapp, the U.S. Army colonel and flight surgeon who headed up the program on which Murphy worked. Responding to a question about why no one had been seriously injured in rocket sled testing, he said engineers always took Murphy's Law into consideration when evaluating what could go wrong.

One large hangar that Mr. Smith worked in was filled with a computer that was wall-to-wall and it was called an ENIAC.

ENIAC - Electronic Numerical Integrator And Computer was the first electronic general-purpose computer. It was Turing-complete, digital, and capable of being reprogrammed to solve a full range of computing problems.

ENIAC was designed to calculate artillery firing tables for the United States Army's Ballistic Research Laboratory. When ENIAC was announced in 1946 it was heralded in the press as a "Giant Brain". It had a speed of one thousand times that of electro-mechanical machines, which was unmatched by mechanical computers. This mathematical power, coupled with general-purpose programmability, excited scientists and industrialists. The inventors promoted the spread of these new ideas by conducting a series of lectures on computer architecture.

ENIAC's design and construction was financed by the United States Army during World War II. The construction contract was signed on June 5, 1943, and work on the computer began in secret by the University of Pennsylvania's Moore School of Electrical Engineering starting the following month under the code name "Project PX". The completed machine was announced to the public the evening of February 14, 1946 and formally dedicated the next day at the University of Pennsylvania, having cost almost $500,000 (approximately $6,000,000 today). It was formally accepted by the U.S. Army Ordnance Corps in July 1946. ENIAC was shut down on November 9, 1946 for a refurbishment and a memory upgrade, and was transferred to Aberdeen Proving Ground, Maryland in 1947. There, on July 29, 1947, it was turned on and was in continuous operation until 11:45 p.m. on October 2, 1955.

ENIAC was conceived and designed by John Mauchly and J. Presper Eckert of the University of Pennsylvania. The team of design engineers assisting the development included Robert F. Shaw (function tables), Jeffrey Chuan Chu (divider/square-rooter), Thomas Kite Sharpless (master programmer), Arthur Burks (multiplier), Harry Huskey (reader/printer) and Jack Davis (accumulators). ENIAC was named an IEEE Milestone in 1987.

Young Kenneth’s experience with seeing this larger then life machine in its’ last days as young child with men and women in white lab coats with “oven” mittens would go from computer cabinet-to-cabinet changing out burned out vacuum tubes.

The name computer would resonate with young Kenneth for the rest of his life.  During his days in junior high school, Smith had the opportunity to take up wood shop.  One day while making a lamp, he placed the router on the wrong part of the wood and caused a large smoke cloud in the shop, and was asked to leave the shop and go enter into another class during anything, but stay away from the wood shop. 

Smith was very disappointed after this rejection.  So, his mother entered him into the bookkeeping and accounting classes, where he learned to type and do bookkeeping.  At first, he was upset with this idea, but upon entering the class, he was the only boy in the class among 20 girls.  From here, he joined the school newspaper and became one of its editors and publishers.


As Rosamond had no high school, all of its students went to Antelope Valley High School.  This is where Smith in his spare time,  he was in a rock band called “Al and the Altones”, then started his own group, “The Gents” which would work with Glen MacArthur in Palmdale, California at his recording studio and record company called “Glenn Records”, where Smith learned the recording end of the studio business working with Merrell Fankhauser and his group “Merrell and the Exiles”.  Later on Smith joined The Clouds (aka The Telestars) with the Martinkovic Brothers touring around the Southern California area.

As young Smith entered the halls of Antelope Valley College in 1967, working on the student newspaper, his job was to keep the mailing list up to date.  This was his gateway into computing and working with the college’s IBM mainframe, and learning how to program.

Smith’s interests in music continued with his up-start band “Purple Olive” that created several local area hit recordings with “Proud Mary Sunshine”, “Journey To The Center of Your Heart” and “Mary Beth”.

It did not take long for the Vietnam War to catch up with Smith as he transferred to the University of California; Santa Barbara only to find the school had been closed do to a bombing of the administration and Bank of America building on campus, which canceled his scholarship and upped his draft number.  Doing this transition to the University, Smith was also in the ROTC program.  The Reserve Officers' Training Corps (ROTC) is a college-based program for training commissioned officers of the United States Armed Forces. ROTC officers serve in all branches of the U.S. Armed Forces.

With the school closed, Smith was drafted by the U.S. Army to flight helicopters, as then Governor Ronald Reagan canceled all of the student deferments at Santa Barbara, leaving Smith with a 1-A status.

Smith had married Irene Joanne Tarbell, his record producer and music publishing general manager, with their plans drastically changed, Smith wanted to head for Canada, but was talked out of it by his mother, and he decided to join the Air Force. 

After a couple of days of negotiations with the Air Force as to what his duties were going to be, his rank upon entering, as he was in ROTC and where he was going, Smith found himself on a air plane headed for Lackland Air Force Base in San Antonio, Texas  for basic training.

After military service in several different fields, from writing technical documents for the C-5 Galaxy transport; foreign countries with varied duties from Postmaster, Tan Son Nhut Air Base, Vietnam, working with the American Consul General in Bangkok, Thailand; NCOIC (Non-Commissioned Office-In-charge) Khoko Air Station, Northern Thailand; Loading cargo master and finally Triage medical tech at Norton Air Force Base, California, Smith was discharged from military service to his country.

One thing that all of these positions had in common were working with computers.  Smith found himself programming and maintaining these new machines at the local company level for the squadron.  Smith was a quick study by experience and because of this; he advanced steadily up the latter in rank and responsibilities. 

Yet, Smith found himself to be disgruntled as been passed over for Officers Candidate School while in the military.  It all started with a letter written to then President Richard Nixon, asking why he was always passed over.  He was given over six tests for OCS, but each time, he somehow would miss passing the grade by one (1) point; always getting a 69% grade on these tests.  Being in military, it was this thing about the “chain of command” that he failed to adhere too.  For this, Smith was punished and kept out of the officers ranks.

While in the US Air Force Reserves, Smith attended the California School of Law, in Santa Monica, California.  One of his fellow students and study partners was none other then Robin Cranston, son to then US Senator Alan Cranston.  Smith and Cranston were at his father Beverly Hills home, with the senator at the house.  Smith so happened to mention his situation to the senator about getting passed over for an officer's appointment in the regular Air Force, which Smith just wanted to inject  as a “laughing” point. 

As the requirements for getting into any law school, one must have a college degree.  Since Smith was a good student at the law school, and he helped Robin with his homework and studies, the senator wasted no time in securing him a commission in the California Air National Guard as a 2nd Lieutenant. 

It was a dream comes true, even with the California Air National Guard .  Smith helped with Senator Cranston’s re-election by maintaining bulk contributors’ mailing lists and other donor databases.  However, this too would come crashing down, as Senator Cranston some time and months later, would be entangled in the Savings and Loan Wars that would build to both Smith and Cranston's careers crashing down.  Smith's commission would later be rejected and he dismissed from the Guard.

Cranston was reprimanded by the U.S. Senate Select Committee on Ethics for "improper conduct” after Lincoln Savings head Charles Keating's companies contributed $850,000 to voter registration groups closely affiliated with the senator.

Keating had wanted federal regulators to stop "hounding" his savings and loan association. Although the committee found that "no evidence was presented to the Committee that Senator Cranston ever agreed to help Mr. Keating in return for a contribution," the committee deemed Cranston's misconduct the worst among the Keating Five. Cranston decided against running for a fifth term while he battled prostate cancer.

While attending school with Robin, Smith would also be invited to celebrity parties in Malibu, Palm Springs and homes of every star Robin had anything to do with as he was also a movie producer with a lot of credits, including one with the late Dorothy Stratton, that hot Playboy Bunny who was murdered by her husband.

During law school, Smith who continued to write and record from time to time and got signed with ABC Music Publishing as a demo producer for their songwriting division.  During this period of time, he met Lee Rogers and Jimmy Holliday.  Rogers was riding high on the RnB charts with his Loadstone Records release of “Love Bandit”, while Holliday was at the Billboard Number #1 position with “Put A Little Love In Your Heart” by Jackie Deshannon. 

ABC Records promotions department had this record called “Margaritaville” by this new singer named Jimmy Buffett.  This record was one of those that did not fit the record charts on any station.  It was the height of the Disco music, and it was to pop for country, too white for the RnB stations, not pop enough for the Top 40 stations.  It was just an egg completely out of its shell and nobody wanted to play it at all.

Smith needed some extra money for child support and paying the rent. West coast promotions department needed someone to promote this record up and down the California coast.  Smith was given three boxes of 100 - 45 RPM singles, some hotel and gas money and off he went to work this record.  It took Smith four weeks going from San Diego, going back ad forth across Southern California, up to Bakersfield and up to Oregon crossing into Idaho, Montana, Utah and Nevada.

One of Smith’s famous record promotion stories starts in Bakersfield at KERN Radio, where Smith had pulled into the station’s parking lot early in the morning before the drive time on air personality was there waiting for the station to go live, the DJ was late and drove up to the station, unlocking the doors, he rushed inside to play the National Anthem and the local news.  Smith with several records in his hand entered the station right behind him.  Calling out to the DJ, Smith had a couple of cups of hot coffee in his hand, and as the DJ came running back from flipping the transmission switches to go live and returning to the control room, Smith handed him a cup, and said “Good Morning”.  The DJ took the cup and off to the microphone he went –live.   After the opening and the local and national news, the DJ signaled Smith to come into the control room.

On the air, he opened up the microphone telling everyone that it was a record promotions guy standing in his control room with some records, and that he had brought him a hot cup of coffee that he needed so very much, and that he was going to talk to him in a few minutes and see what he was pushing.  It’s 5:30am the sun is not even up yet, and Smith is all ready on the air in Bakersfield.

Smith tells the DJ that he has this single by a new artist named Jimmy Buffett, and wants to know if he could give it a couple of spends.  The DJ tells him that he will give it a listen and to place it on the pile of records on the wall.  Smith turns to the wall, and sees his worse nightmare, a stack of records in six rows over three feet high still in their mailing envelopes.

Smith looking at the unopened records, turns to the DJ and asks him to play his record live on the air, and if he gets just one listener that votes against it, then he will pull it and call it a day.  The DJ taking a sip from the coffee tells Smith, he could do that and takes the single, placing it on the turntable. 

Within one minute of the songs introduction, the switch board lights up, all twelve lines.  Now it’s been a full two minutes into the song, the lights are still flashing.  The first caller is asked, if it’s a smash or trash?  Ten callers like the song so far and vote’s it a smash.  By this time, the last caller votes against it calling “Margaritaville” trash.  And as Smith promised the DJ he could pull the record if he got one vote against it.  To Smith’s a surprise, the DJ plays the record again, and off the microphone tells Smith that he’s going to ad the single to his playlist.  Since KERN Radio was a Billboard reporting station, this gives “Margaritaville” a leg up and the rest is history.

It was no mistake that this record was given to Smith, because several years earlier, he was a Disc Jockey at KUTY-AM in Palmdale, California while attending Antelope Valley College.  With his duties as the Director of Publicity on the board of the Associated Student Body, Smith had great success with groups like Three Dog Night, A Group Called Smith, Steppenwolf as he was instrumental in the college promotional of Mercury Records’ Flying Bear Tour, with Lynn County, Buddy Miles Express/Experience, Sir Douglas Quintet, Rick Derringer’s group the McCoys and Harvey Mandel.

The little radio station from Palmdale was in the circle of gold, with its signal carrying deep into the heart of the San Fernando Valley and North Hollywood.  It was the 17th logical station site to get your record played in Los Angeles City limits that generated lots of record sales.

Smith who started out as the college’s activities announcer on Mutual Broadcasting Systems, quickly moved into the position as the most requested on air personality for the college circuit.  Don Imus was at KUTY and liked Smith’s warm delivery.  It was not to long that he was spending more of his time at the station, as Imus was giving him lots of on air time for the college and Smith’s group, Purple Olive.

On of the pert’s of being on the Associated Student Body and on the air, Smith got the chance to have a personal relationship with the Polodor Brothers, both Don and Richard.  Don Podolor worked in record promotion and booking, while his older brother was the record producer for the Monkees, Fountain of Youth, Three Dog Night and Janis Joplin.

Smith was one of the first people to get demo copies of the artists completed records, and one of the times was Three Dog Nights’ “Joy To The World” with Smith being the first DJ to premiere the single on KUTY weeks before anyone else got a copy.  Other firsts, included Rick Nelson’s “Garden Party”,  Ike and Tina Turner’s “River Deep, Mountain High” and Smith’s last promotional effort when he returned to the Antelope Valley from the Vietnam War was, "Rhinestone Cowboy"  a song written and recorded first by Larry Weiss in 1973, and most famously recorded by American country music singer Glen Campbell. The song enjoyed immense popularity with both country and pop audiences when he released it in 1975.  

Motown Records.  It was also at this time, that he obtained his first personal computer, a Sinclair from England and later a Toshiba C/PM machine that was just disk based.  The first real personal computers were still on the planning stages and it would be years until they reach the market place.  
-TO BE CONTINUED -



EU to Clear Sony's EMI Deal
European Approval Expected for Group's $2.2 Billion Purchase of Music Publisher



By ETHAN SMITH

European antitrust regulators are expected Thursday to approve a plan by a Sony Corp.-led investor group to buy EMI Group Ltd.'s huge music-publishing division for $2.2 billion, according to people familiar with the situation.

Approval by the European Commission, the European Union's executive arm, would represent a victory for Sony, removing the possibility of a longer review of the deal's antitrust implications. Such a review could add several months to the process.

Getty Images

Beyoncé, one of EMI's songwriting artists, at the 2011 MTV Awards.


The approval is conditioned on Sony selling off certain music-publishing assets, the people familiar with the situation said. Sony initially proposed selling a more limited number of assets, but only won approval after offering to sell more, according to one of the people.

Sony and its financial partners are expected to sell off three of EMI Music Publishing's catalogs and one of Sony's, all comprising older compositions. Those include Virgin Music Publishing's songs in the U.K., the U.S. and Europe, as well as Famous Music's catalog of U.K. compositions. In addition, the company is expected to sell the publishing rights to works by a handful of contemporary song writers.

A European Commission spokesman declined to comment.

The pending approval was reported earlier by the Financial Times.

Citigroup Inc. C +0.85% is in the midst of separate sales of EMI Group's two main
components: EMI Music Publishing and EMI Music, its recorded-music operation, which Vivendi SA's VIV.FR +0.03% Universal Music Group is planning to buy for $1.9
billion.

Sony is a minority partner in the consortium that also includes the estate of Michael Jackson; Abu Dhabi-based Mubadala Development Co.; Jynwel Capital Ltd.; Blackstone Group LP's BX -0.12% GSO Capital Partners; and billionaire
entertainment mogul David Geffen.

Citigroup made the EMI deals in November, after taking control of the storied British music company following an ill-fated leveraged buyout.

Because the buyers of both parts of EMI's business are already large players in their industries, the deals are being reviewed by the European Commission and its U.S. counterpart, the Federal Trade Commission. Both regulatory bodies want to make sure the deals don't lead to undue reductions in competition.

The FTC music-publishing review is continuing, as are reviews in both the U.S. and Europe of the recorded-music deal.

Music publishers own and administer copyrights of songs' melodies and lyrics, and collect royalties when the songs are sold or performed publicly. Recorded-music companies, by contrast, own specific recordings and distribute them on CDs, online and to other outlets.

The proposed EMI acquisition would make Sony the world's largest music publisher by market share, according to an investor presentation reviewed by The Wall Street Journal. The two companies combined represented 31% of the global publishing market in 2010, ahead of the 23% controlled by Universal Music Publishing, according to the presentation. The 31% figure doesn't take into account the current asset-sale proposals.

Impala, a coalition of mostly European independent record companies and music publishers, released a statement Wednesday questioning the significance of Sony's proposed asset sales.

"We need to see the full decision but we find it difficult to imagine these remedies will make any significant difference to Sony's market power," the statement said. "This makes the outcome on Universal/EMI all the more important."

Thursday, December 27, 2012

Bud Buckley

Drawing strong comparisons to Paul Simon, Bob Dylan and Mark Knopfler, Bud Buckley has come on to the indie acoustic rock scene by blending thoughtful fingerstyle acoustic guitar with thoughtful vignette-style lyrics.

His second CD, It’s About Time, was released at the end of 2007 and brought more of the same musical stylings after his debut release, Feel My Love, in 2004. Overall, however, the 10-track CD has a more mature, refined tone.

“Can’t Leave My Mind,” features intricate strings precisely mixed while Bud’s thoughtful lyrics depict an endearing relationship. In it, he sings, “You blow through my hair even when it’s still/I feel you in everything you’ve touched/You seep into me against my will.” His track “Underground” offers a true acoustic rock sound ala John Mellencamp with a humane message as he sings, “The air is getting filthy so we’ll call it nice and clean/The rivers run with mercury and the fish are turning mean.

“To me songs are more about the words and the vocal delivery. I’d like to think that my lyrics speak to our humanity, our wins and losses, our draws and each of those is equally valuable. I also strive not to use clichĂ©s either lyrically or vocally. Damn hard to do in this day and age and still be at all intelligible.”

It’s About Time features appearances by a variety of noted musicians. Helen Avakian, a singer/songwriter who has opened for Mary Chapin Carpenter, Marshall Crenshaw and the New York Philharmonic, produced and contributed acoustic guitar as well as etherial back-up vocals to the album. Other musicians who contributed to It’s About Time include Terry Champlin played classical guitar.

His music has been performed worldwide by such groups and artists as David Starobin, Evangelos and Liza, The Woodstock Chamber Orchestra and The Highlands Symphony. Grammy-nominated producer Scott Petito, who engineered, mixed and mastered at his NRS Studios in Woodstock, NY, and whose recording credits include The Band, James and Livingston Taylor, Mark Knopfler, Keith Richards, Bela Fleck, and Stevie Wonder, played bass, piano, B2 organ, acoustic and electric guitar. Deni Bonet, a Lilith Fair singer/songwriter/musician who has recorded and/or performed with REM, Sarah McLachlan and Cyndi Lauper, added violin, viola and electric violin.

Beth Reineke served as a vocal coach and production assistant. Reviewers have glowed about the release. Creative Loafing called Bud’s music “…a sincere set of acoustic folk rock, elevated by mature arrangements.” Among a slew of other positive comments have earned Bud a positive reputation. “Bud Buckley makes the kind of music that I want to hear when I listen to the radio, and that's why I don't listen to the radio,” claims Chris Propfe of MusesMuse.com.

Hailing from Venice, Florida, Bud has also lived in Pennsylvania, New Jersey and New York. Bud spent most of his adult life in the Woodstock, New York, region. A self-taught guitarist, he instructed elementary school students. It was then he met his mentor Helen Avakian, a resident Flamenco guitarist at Bard College and multi-talented singer/songwriter, who educated him in fingerstyle guitar.

She was a driving force in challenging him to write and worked with Bud’s wife, Cathy Lewis, to connect him with voice instructor Leslie Ritter (of the duo Leslie Ritter and Amy Fradon). “Helen set me loose and my musician friend Davis Turner on Amelia Island, Florida, coaxed me to perform. I started doing open mic and bars and coffee houses and started getting steady gigs and eventually had enough material to record two CDs,” says Bud.

His college education in journalism and experience as a feature writer and columnist lent him strength in the songwriting department, though Bud admits that he had help from others to create the tracks. Bud penned all of the songs on his album with some co-writing input from former student Kathy Feeney. Author James Braha, one of his guitar students, co-wrote “Meltdown” while he was teaching him.

“Writing is my first strength, certainly. But I love the process of striving to become better and better at writing music. The same is true of my performance skills. I like to think I get better all the time. I certainly work at it,” says Bud, who plays harmonica as well as guitar. Bud’s music has been featured on compilation CDs such as Moozikoo’s Best of Indies and Indie Music for Life, Positively Music Benefit Music Compilation and Quickstar’s Chill Out.

His song “Crowded Memory” has been placed in a public service advertisement in California for a drug rehabilitation facility. He is entertaining several licensing and co-publishing deals with different music libraries. “I have to be patient about that. There are many offers to use me and abuse me, but I’ll wait for an honest offer to come along.”

For more on Bud, visit www.budbuckley.com.

You can see his press kit, reviews and stream his music at www.sonicbids.com/budbuckley.
Artist: Bud Buckley
Album: It's About Time
Artist Name: Bud Buckley
Album: It's About Time
First/Last Name: Bud Buckley
Email address: Bud.Buckley@gmail.com
Hometown: Venice, FL, United States
Website: http://budbuckley.com
Style of music: Singer/songwriter
MySpace: http://myspace.com/budbuckley1
SonicBids: http://sonicbids/budbuckley SoundClick:
Facebook:
Other: Label Affiliation: Independent
Label Performing Rights Affiliation: BMI (USA)

Thursday, December 13, 2012

USA Songwriting Competition Newsletter

“Songwriting is how I make sense of things. It’s how I make my way through the world” ~ Mary Chapin Carpenter, songwriter

USA Songwriting Competition Newsletter 


12/12/12


** 18th Annual USA SONGWRITING COMPETITION BEGINS
18th Annual USA Songwriting Competition is now accepting entries. Winning songs will receive radio airplay in United States and Canada along with great prizes such as a Top Prize of over $50,000.
Sponsors of the 2013 Competition are: New Music Weekly, AirplayAccess.com, Loggins Promotion, Sony, Audio-Technica, D'Addario Strings, Presonus, iZotope, Propellerheads, Notion Software, Recording Magazine, Acoustica, Sonoma Wireworks, Acoustic Café Radio Program, LivewireMusician.com, Reverbnation, Broadjam, Sirius XM Radio, Sonicbids, etc.
FREE EARLY ENTRY BONUS: First 1,000 entries will each receive a Recording magazine digital subscription worth $17.99. Hurry, Enter Now online with your MP3, Youtube, Reverbnation, Myspace or Soundcloud files here:
Or enter by using printing the mail-in entry form found here:



===[Sponsored in part by New Music Weekly]============
NEW MUSIC WEEKLY covers the radio and music industry within its weekly magazine, website, NMW-mail and fax services. NMW, built by radio stations who "break" the hits first, has become thestandard for tracking radio airplay nationwide. For information visit:www.newmusicweekly.com or call 310-325-9997
==============================================




** 2012 WINNERS ANNOUNCED - MILEY CYRUS' SIDEMAN WINS TOP HONORS

Results of the 17th Annual USA Songwriting Competition have been announced. Los Angeles based songwriter Mike Schmid won the top position of the 17th Annual USA Songwriting Competition.

Berklee College of Music trained Mike Schmid won Overall Grand Prize as well as the first prize of the Children's music category with his song “Can You See All The Colors”. This is the first time that the winner of the Children's music category won the Overall Grand Prize. Mike Schmid is professional keyboard player and has toured with Miley Cyrus and Jessica Simpson. He also received a bachelors degree in songwriting from Berklee College of Music.

Jonathan Ferreri, Chris Upton & Ashley Upton of Nashville, TN won the Overall 2nd Prize with "20 Years". He has won honorable mention prize in 2010.

Charlotte Sometimes won the Overall 3rd Prize with "Paint The Sky". she also appeared on the hit TV show "The Voice". American Idol contestants have also placed on USA Songwriting Competition:  Ashley Robles (American Idol, 2012 Season) and Marissa Pontecorvo (American Idol, 2012 Season) won honorable mention awards at the 2012 USA Songwriting Competition.

Helle Hansen, from Denmark is a 11-time consecutive year honorable mention winner, making her the most consecutive year winner in USA SOngwriting Competition's history so far. Sherri Gough won First prize in the Lyrics category, making this her 2nd win. She won also First Prize in 2010.

Other winners came from Australia, Canada, France, Spain, Belguim, Singapore, and Austria

See full results of the winners here:




===[Sponsored in part by D'Addario]======================
From the D'Addario-pioneered phosphor bronze acoustic strings
to the world-famous XL electric strings, D'Addario has your
instruments covered. Quality, consistency, and innovation make
"The Player's Choice." http://www.daddario.com/
=================================================



*** PAST WINNERS & FINALISTS' UPDATES
*Alexander Cardinale (2011 USA Songwriting Competition First Prize winner & Overall 2nd Prize) won Hollywood Music in Media Award for "Best Song in a TV Show" on "90210" with the same song he won for USA Songwriting Competition "Traffic Lights".

*Adrianne Gonzalez (1999 USA Songwriting Competition Overall Grand Prize Winner) made the cover of Performer Magazine of the October 2012 issue. She is part of the band "The Rescues" and they are signed to Universal Records.

*Lorraine Ferro (2000 USA Songwriting Competition Honorable Mention Winner) appeared on the hit TV show "The Voice" singing "Skyscraper" written by another USA Songwriting Competition winner.

*Lindy Robbins (1999 USA Songwriting Competition Honorable Mention Winner) co-wrote  Demi Lovato's hit song "Skyscraper", the song hit #10 on the Billboard Charts. She also wrote the Top 5 hit song "Incomplete" by the Backstreet Boys. She has also written songs for Hot Chelle Rae, Jason Derulo,  Selena Gomes, Leona Lewis and many more.

*Aaron Tap (1998 USA Songwriting Competition First Prize Winner, Pop) plays with hit artist Matt Nathanson's band. His guitar work can be heard in Matt Nathanson's hit song "Come On Get Higher".

*The Wailin Jennys (8th Annual IAMA, Best Group, First Prize Winner) had their winning song "Bird Song" aired on NPR radio's "A Prairie Home Companion".

*Dave Berg (2003 USA Songwriting Competition Honorable Mention Winner) has signed a worldwide co-publishing agreement with Los Angeles and New York-based Downtown Music Publishing, and his upcoming full length album Not Quite So Alone will be released by Downtown imprint Mercer Street Records. Berg’s credits as a country songwriter include the No. 1 hits “Somebody” by Reba McEntire, “If You’re Going Through Hell (Before the Devil Even Knows)” and “These Are My People” by Rodney Atkins, and “Moments” by Emerson Drive.


~Were you a past winner or finalist of the IAMA or USA Songwriting Competition and have some interesting news on yourself? If so, please e-mail us at:



===[Sponsored in part by Loggins Promotion]============
LOGGINS PROMOTION is the leading radio promotion and marketing firm providing services to all genres of music. We operate at the highest level of efficiency and integrity, so that you receive maximum promotion, exposure, and attention. For further info: 888-325-2901 or email:promo@logginspromotion.com
==============================================


*** SONGWRITERS SHOWCASES
USA Songwriting Competition will present a showcase at during world renowned "SXSW" in Austin, TX:
WHEN: Friday, March 15, 2013, from 7pm to 10pm
WHERE: Mozart's Coffee Roasters
3826 Lake Austin Blvd, Austin, TX
(512) 477-2900
NO COVER: no SXSW badges needed
~Music Acts To Perform:
TBA

USA Songwriting Competition will present a showcase at the world renowned "Bluebird Cafe" in Nashville, TN:
WHEN: Thursday, May 9, 2013: 6pm - 8pm
WHERE:  Bluebird Cafe, 4104 Hillsboro Pike, Nashville, TN 37215-2700, Tel: (615) 383-1461 (alcohol & food are served, reservations are accepted). NO COVER.
~Songwriters to perform:
TBA

*Are you a songwriter or band Interested in performing in any of these showcases? If so, please e-mail info@songwriting.net with your website address.


Songwriting Tips & News:

==============================================
XPOrAdio.com is the Songwriter Radio Showcase for all aspiring as well as professional songwriters, and musical groups that perform their original songs. Developed by a songwriter exclusively for songwriters, performers, and recording acts to XPOSE and promote their music, and for all the wonderful music fans throughout the world who appreciate and respect the talent, inspiration, creativity, and perhaps even the courage it takes to express oneself through writing songs.
==============================================



** COMPILATION CD 
"NEW MUSIC NOW Vol 9" - THE USA SONGWRITING COMPETITION COMPILATION CD. USA Songwriting Competition's CD Compilation. This CD is out and features winners such as Nenna Yvonne, Alexander Cardinale, Molly Hunt, etc. 

"New ACOUSTIC MUSIC Vol 8" - featuring winners and runner-ups of the 8th Annual IAMA will be out later this month. Artists includes; Maddy Rodriguez, Doug Young, The Wailin Jennys, etc.


** COOL MERCHANDISE
You can now purchase our cool USA Songwriting Competition T-shirts, Hats & other stuff online:


==============================================
Music Books Plus is your best source for music & audio books, videos, CD-ROMs, DVDs, software & sheet music. We carry over 12,000 titles on Music Business, Songwriting, Arranging, Theory, Directories, Pro Audio, Video, Live Sound, Recording, Lighting, MIDI, Synthesizers, Guitar, Keyboards, Bass, Drums, Percussion, Violin, Brass, Woodwinds, Harmonica, Voice, Biographies, Fake Books, Songbooks. Worldwide shipping. Free Newsletter. Check outwww.musicbooksplus.com
==============================================


** MUSIC CONFERENCES, FESTIVALS, & WORKSHOP PARTNERS
~Winter NAMM: January 24 - 27, 2013. Anaheim, CA, USA
~MIDEM: January 26 - 29, 2013, Cannes, FRANCE
~25th annual International Folk Alliance Conference: February 20-24, 2013; Toronto, CANADA
~SXSW Music Conference: March 12 - 17, 2013, Austin, TX, USA
~Franfurt Musikmesse 2013: April 10 - 13, 2013, Frankfurt, GERMANY
~2013 ASCAP EXPO: April 18-20, Los Angeles, CA, USA




===[ REFER A MUSICIAN FRIEND TO US ]==============
Tell a musician or songwriter to sign up for this FREE informative e-mail newsletter of USA Songwriting Competition with chock full of opportunities for the musician or songwriter, please e-mail† them on where to sign-up:
==============================================



NEW PRODUCTS FOR MUSICIANS
*Soundcloud App for iPhone & Andriod
*Mixcraft 6 (Acoustica)
*iRig PRE (IK Multimedia)

*ATM-610 Microphone (Audio-Technica)

*GuitarJack (Sonoma Wireworks). For more information on these products, click here:
*IAMA Featured Artists Of the Month Spotlight:
AJ Croce
Heather Masse (Canada)
Charlie Hill



To listen to their audio clips and for more details of the featured artists, please visit:

AirplayAccess.com - available to Program Directors, Music Directors, Syndicate Radio, and Internet radio. Radio airplay is tracking using the STS technology.






===[ To Advertise ]================================
To advertise in the newsletter, please e-mail: ira@songwriting.net
==============================================




Happy Holidays, Merry Christmas, Happy Hanukkah, Happy Kwanzaa, Happy New Year to all! May the new year bring you all great joy and better music making! Warmest Wishes!


Best Wishes...Jessica Brandon, Artist Relations ~~


The USA Songwriting Competition. - Copyright © 2012 - All Rights Reserved

Monday, December 3, 2012

winners of the 17th Annual USA Songwriting Competition

2012 Results Are Out, 2013 Competition Accepting Entries
The winners of the 17th Annual USA Songwriting Competition are out.

The finalists results of the 17th Annual USA Songwriting Competition are out. The top 2 winners will be announced December 12, 2012. USA Songwriting Competition would like to thank you for entering. Please view the list of the finalists at: http://www.songwriting.net/winners/

Also, I would like to invite you to enter the 18th Annual USA Songwriting Competition (2013). Win a top prize of $50,000 worth of cash and merchandise such as cool gear from Sony, Ibanez Guitars, D'Addario Strings, IK Multimedia, Audio-Technica and more. Also, have your winning songs played on radio! Enter in Pop, Rock/Alt, Folk, R&B, Hip-Hop, Jazz, Instrumental, etc. Sponsors are: New Music Weekly, AirplayAccess.com, Loggins Promotion, Sony, Audio-Technica, D'Addario Strings, IK Multimedia, iZotope, Propellerheads, Notion Software, Presonus, Acoustica, Sonoma Wireworks, Acoustic CafĂ© Radio Program, LivewireMusician.com, Reverbnation, Broadjam, Sirius XM Radio, Sonicbids, Soundcloud, etc.

*EARLY BIRD BONUS: First 1,000 entries will each receive a Recording magazine digital subscription worth $17.99. Hurry, Enter Now online with your MP3, Youtube, Reverbnation, Myspace or Soundcloud files here:

Or enter by using printing the mail-in entry form found here:
http://www.songwriting.net/entryform


Thank you and have a great week,

Karen Randle
Artists Relations
USA Songwriting Competition
http://www.songwriting.net
info@songwriting.net
Sharing