| Record of the Day - In tune. Informed. Indispensable. |
 | In tune. Informed.
Indispensable.
Friday 22 May 2020 |
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GRACEY
Polydor
Released: Out now
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We say
Currently climbing the official charts and on the A Lists at both Radio 1 and Capital with her collaboration with 220Kid, 22 year old in-demand songwriter and artist GRACEY is back today (22 May) with this honest blast of jagged pop goodness. Having written hits for the likes of Sub Focus, MJ Cole, and RAYE after being recruited as a top-liner for Xenomania at the age of 16 and then signing to Universal, the London-based artist released her debut EP, Imposter Syndrome, to critical acclaim last year with the likes of The Line Of Best Fit, i-D, Wonderland, The Guardian and Sunday Times Culture singing her praises. Featuring on numerous new release playlists across Spotify, Apple Music and Deezer, Empty Love featuring Australian pop-prodigy Ruel is a stonking straight-up pop anthem that doesn’t pack any punches when talking about the pressures that come with social media. Accompanied by a powerful video (goes live here at 11.30am) created by GRACEY along with creatives, Aidan Zamiri (Object & Animal) and Dan Moller (Facebook Creative shop), expect to see this track and video build up some serious momentum across streaming, socials and online over the next couple of weeks. | |
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Contact
Label: Polydor
Publishing: Universal Music Publishing
National Radio: James Passmore, Plugged In PR
Regional Radio: Gavin Hughes, Polydor
Online: Ed Juniper, Polydor
Press: Ruth Drake & Annabel Crowhurst, Toast
TV: Claire Close, CCTV
Live: Jon Ollier, CAA
Management: Jazz Sherman, Hunger Management | |
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| HEADLINES | |
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- Global Spotify staff allowed to work home for rest of year (see Digital)
- US Copyright Office: safe-harbor provision of the Digital Millennium Copyright Act now favours tech companies over rights-holders (see International)
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| Record of the Day |    | |
| Paul Scaife |  | |
| Joe Taylor | | |
| Kevin Marston | | |
| Lee Thompson | | |
| Ruth Kilpatrick | | |
| Edited by Kevin Marston and Paul Scaife
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